Rancher Dan Evans heads into Bisbee to clear up issues concerning the sake of his land when he witnesses the closing events of a stagecoach robbery led by famed outlaw Ben Wade. Shortly thereafter, Wade is captured by the law in Bisbee and Evans finds himself one of the escorts who will take Wade to the 3:10 to Yuma train in Contention for the reward of $200. Evans's effort to take Wade to the station is in part an effort to save his land but also part of an inner battle to determine whether he can be more than just a naive rancher in the eyes of his impetuous and gunslinging son William Evans. The transport to Contention is hazardous and filled with ambushes by Indians, pursuits by Wade's vengeful gang and Wade's own conniving and surreptitious demeanor that makes the ride all the more intense.
Gambler Van Morgan runs a little card game in town but one night things get out of hand. A stranger amateurishly tries to cheat and, though Morgan tries to stop it, his fellow players string him up. The gambler leaves town but returns when he hears that the other players are being killed off one by one. It could be that someone will soon be after him too.
Historical drama detailing the 1835-36 Texas revolution before, during, and after the famous siege of the Alamo (February 23-March 6, 1836) where 183 Texans (American-born Texans) and Tejanos (Mexican-born Texans) commanded by Colonel Travis, along with Davey Crockett and Jim Bowie, were besieged in an abandoned mission outside San Antonio by a Mexican army of nearly 2,000 men under the personal command of the dictator of Mexico, General Santa Anna, as well as detailing the Battle of San Jacinto (April 21, 1836) where General Sam Houston's rag-tag army of Texans took on and defeated Santa Anna's army which led to the indepedence of Texas.
An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. A film noir reminiscent of the stories of Elmore Leonard, ALL HAT is adapted from the novel by Brad Smith; Smith also penned the screenplay. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn. Sonny Stanton, gambling addict and spoiled heir to a thoroughbred dynasty, is in the process of buying up an entire concession of farmland to build a casino and golfing resort, and the only one brave enough to stand in the way of Sonny is Etta Parr, Ray's old flame, who might be willing to forgive Ray if it wasn't for her pride and common sense. The situation is a minefield, one Ray is determined to avoid. He hooks up with Chrissie, a sexy, sassy and talented jockey and steers clear of Sonny. But when a ten-million-dollar thoroughbred goes missing from the Stanton Stables, Sonny pushes things too far and forces the sale of the community's remaining farms. Ray reacts by coming up with a plan to stop Sonny in his tracks and right a few wrongs in the process. The scheme is unlikely and audacious; the players are as unpredictable as nitroglycerin. One false move and Ray will land back in jail. And the smart money is against him.
Two young Texas cowboys on the cusp of manhood ride into 1940's Mexico in search of experience. What they find is a country as chaotic as it is beautiful, as cruel and unfeeling as it is mysterious, where death is a constant, capricious companion.
Explorers Bartholemew Hunt and Leslie Edwards are setting forth against nature across the country on a journey to the Pacific Ocean against rivals Lewis and Clark. Along the way they have many mishaps and misfortunes.
When a Midwest town learns that a corrupt railroad baron has captured the deeds to their homesteads without their knowledge, a group of young ranchers join forces to take back what is rightfully theirs. In the course of their vendetta, they will become the object of the biggest manhunt in the history of the Old West and, as their fame grows, so will the legend of their leader, a young outlaw by the name of Jesse James.
Some time after the Mousekewitz's have settled in America, they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west, where they are promised that mice and cats live in peace. Unfortunately, the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan. Unaware of this, the Mousekewitz's begin their journey west, while their true cat friend, Tiger, follows intent on following his girlfriend gone in the same direction.
Annie Oakley is an incredible shot who was raised 'Doin' What Comes Naturally'. Frank Butler, the star sharpshooter in 'Colonel Buffalo Bill''s show, however, knows full well that's not how 'The Girl That I Marry' must be. Anyway, not at least until he finds that 'My Defences are Down'. Though Annie defiantly says 'Anything You Can Do I Can Do Better', she realizes that 'You Can't Get a Man With a Gun'. The victor at the end is love; as you know, 'It's Wonderful'. After all, 'There's No Business Like Show Business'.
Robert Ford, who's idolized Jesse James since childhood, tries hard to join the reforming gang of the Missouri outlaw, but gradually becomes resentful of the bandit leader.
The movie continues where the last one with Marty stuck in 1955. But Doc Brown sent him a letter from 1855 through Western Union, that told him that after the Delorean was struck by lightning he was sent to 1855 and was unable to repair it, but has managed to bury it somewhere, where Marty can get to it in 1955 and hopefully the younger version of himself can repair it so he can drive it back to 1985 and then destroy it. But after finding it, Marty discovers that shortly after sending the letter Doc would be shot by an outlaw, Mad Dog Tannen. Marty then goes back to 1885 to save him and meets his ancestors. After finding the Doc, they were about to leave when Marty told the Doc that upon arriving the Delorean's gas tank was punctured, so they don't have any gasoline to run the car, which means they have to find some way to get the car to 88 mph. They decide to try pushing it with a locomotive. And things are fine except for the fact that Tannen, who had it in for Doc, now has it for Marty and has challenged him to gunfight on the day that they are going to leave, and Doc is smitten with Clara Clayton, the new school teacher.
John J. Macreedy doesn't know it, but when he steps off the train at the jerkwater town of Black Rock, he will soon find himself the object of fear, hatred, and even a murder plot! The altruistic Macreedy came to Black Rock to hand over a posthumous military award to a local man whose son had died gallantly in the Second World War. What Macreedy couldn't know when he stepped off of that train was that the town had a shameful secret, one that must be kept at all costs.
In 1848, a New York bank wants to put a railroad across Mexico, so it buys up small banks around Santa Rita, Durango, and evicts farmers on the proposed rail line who owe money. The bank's henchman is the murderous Jackson. He runs afoul of two women, María, the tough but uneducated daughter of a farmer, and Sara, the European-educated daughter of the owner of one of these banks. To feed the now landless people and to seek revenge, María and Sara become bank robbers, veritable Robin Hoods. But Jackson and his hired guns are after them. What are the women's options?
During the civil war, injured Yankee soldier, John McBurney is rescued on the verge of death by a teenage girl from a southern boarding school. She manages to get him back to the school, and at first the all-female staff and pupils are scared. As he starts to recover, one by one he charms them and the atmosphere becomes filled with jealousy and deceit.
Big Jake McCandles is on the trail on bandits in this action drama that stretches from Texas to Mexico. It's 1909, and the Old West is giving way to modern times. When the outlaw gang led bu vicious John Fain raids Jake's ranch and kidnaps his 8-year-old grandson, Jake's wife, whom he hasn't seen in 18 years, sends for her husband to rescue the boy. While the law gives chase in rickety automobiles, Jake saddles up with an Indian scout, a faithful dog, and a box of money. But paying ransom isn't Jake's idea of good old frontier justice.
The Ultimate Western Spoof. A town where everyone seems to be named Johnson is in the way of the railroad. In order to grab their land, Hedley Lemar, a politically connected nasty person, sends in his henchmen to make the town unlivable. After the sheriff is killed, the town demands a new sheriff from the Governor. Hedley convinces him to send the town the first Black sheriff in the west. Bart is a sophisticated urbanite who will have some difficulty winning over the townspeople.
It's a hundred years later, and the dhampir Rayne has arrived in the town of Deliverance, Montana where a group of vampire cowboys have emerged. Led by Billy the Kid, hell-bent on creating is own kingdom, he slaughters townspeople and rounds up children. He spares the life of Chicago Chronicle reported Newton Pyles. Rayne aligns herself with Pat Garret, a member of the long-thought-dead Brimstone society, a dishonest preacher, and a low life named Franson, to stop Billy the Kid and show the world how the West was really won.
Joe lives a life of solitude by choice on a ranch in the mountains of Colorado, asking no one to feel sorry for him. A widower, he has his daily routine of ranch chores interrupted one evening by a call from his just paroled son, Dylan. Dylan is a good kid that has a dark cloud that seems to follow him wherever he goes. He hasn't spoken to his father in years and has nowhere else to go. Reluctantly, Joe takes Dylan in under the condition that he has changed his ways. The two slowly start to repair their rocky relationship when the ill fortune that follows Dylan strikes again. The ensuing incident sets forth a chain reaction of events that will cause dire consequences for everyone involved.
Butch and Sundance are the two leaders of the Hole-in-the-Wall Gang. Butch is all ideas, Sundance is all action and skill. The west is becoming civilized and when Butch and Sundance rob a train once too often, a special posse begins trailing them no matter where they run. Over rock, through towns, across rivers, the group is always just behind them. When they finally escape through sheer luck, Butch has another idea, "Let's go to Bolivia". Based on the exploits of the historical characters.
Lt. John Dunbar is dubbed a hero after he accidentally leads Union troops to a victory during the Civil War. He requests a position on the western frontier, but finds it deserted. He soon finds out he is not alone, but meets a wolf he dubs "Two-socks" and a curious Indian tribe. Dunbar quickly makes friends with the tribe, and discovers a white woman who was raised by the Indians. He gradually earns the respect of these native people, and sheds his white-man's ways.